a video I helped make about a different type of family

I have an old old friend named Vito Gesualdi, he taught me how to joke and how to learn to smoke. He loved video games, every name of every system tattoed on his brain. From Game and Watch to Sega Dreamcast to Virtual boy to Gensis CD… I wondered about him for a long time, wondered what he saw when he hit the buttons and watched jump man jump…

Then he asked me to help film this video about a Japanese Style Arcade, it was dark and strange in Arcade Infinty and I didn’t understand what I saw there. Then I came back to film the closing ceremonies (you see they were going out of business) and we interviewed dozens of men just like us, men who were lost and found not at the pound but at the base of a DDR machine, or Street Fighting cabinet. Listening to their stories was profoundly humbling to me. I don’t question Vito Gesualdi anymore, cause when some one shows you their scars and then their muscle you don’t put them down, you hug them close and say, I’m glad you finally got through that kill screen you were stuck in, now sit down, have a Sapporo and tell me all about it.

join me for pictures and good times at All Visual Boston Slideshow

I’ll be there, I got a bunch of work in (I wish I remember what I submitted) and its the day before my birthday so I was gonna try and make a night of it, come on down, I tell every one this but no one listens, Trevor Powers has special Powers dude, just having my work shown during the first event got me a show, a reason to be, and a sexy ladies number or three… hey that rhymed! Its the night before my 26th birthday so please come and we’ll make a night of it! What I mean to say is just come and bring me nothing but cornbread and cigarettes, I have no use for anything else…

PS this is my 96th post in 2 years, whodda thunk it, not Barbra Bosworth thats for damn sure!

broke down saugus mass blues****UPDATED**** Hey Syrians, whats up, can I help you with anything, anything at all really

broke down saugus mass blues by Eddy Pula
broke down saugus mass blues, a photo by Eddy Pula on Flickr.

Hey so for a while I’ve noticed a couple Syrians reading this blog, can I contribute in anyway, like you want me to mail you some tools or some kind of bear mace or something? Just saying… No Fun To be Alone that’s why we need friends in low places, hey just email me your address at eddypula@gmail.com and I think I have the perfect gift for yah!

I’m never alone with a camera in my hand and iggy rotten in my ears or my fucking heart arse-hole

Questions and Answers and Compliments from the North Country: After Hornstein

This Mornings Email

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Hello Eddy,

My name is Johan, I’m from the Netherlands and I’m a beginner TLR user. First of all my compliments on you’re photo’s and inspiring work especially your photos called “Painter” and “Reading On Bench” . Seeing you photos and the video’s in which you talk passionate about the photographs you shoot gave me that extra push to buy a beautiful Yashica 635 from 1957.
I’ve unfortunately don’t have the space to develop my owen photo’s however, I doe wan’t to start scanning my own negatives. My question to you is do you scan your own negatives and if so, which scanner do you use.
Thanks in advance for your answer.
Kind Regards,
Johan Voeten
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Howdy and congrats on the TLR, they are so great once your brain starts flipping the light left to right!
the great thing about medium format is that almost any scanner with a light source on top will work great, unlike 35mm even 600 dpi is more than enuff for web use when you have a 2 and 1/4 negative, at 1200 you can make decent 8×10′s! I use a cheapo epson 2450, got it new/old stock (never sold, new in box!) for $50 of the ebay. A epson 3800 will be better than that and probably run around $200, the best in home scanning is a v700 for like $500-700 bucks, I’ve made 16×20′s out of those and seen amazing 30×40′s off of 6×9 cm or 4×5 inch film. But don’t worry about that yet, just scan with whatever you have, one problem is computer drivers for older scanners and newer computers, the manufacturers don’t support alot of them anymore so you can either get an old mac or pc tower for pennies and just use that for scanning (I want to do that but haven’t had the time) or Vue Scan works pretty dang well, you are suppose to pay for it but……. you can find it free if you know where to look!
Do what you feel comfortable with but for b&w, developing yourself is half the fun dude! I rate (meter or just use my eyes and memory!) my tri-x at like iso 150 so I over expose about 1.5 stops (so if the meter says 125 at 22 I do about 125 at 11.5 or f16) and then pull (stop developing before the box time) about 1.5 minutes so instead of 10 minutes I do about 8.5-9 minutes and I get amazing shadow detail and it keeps the highlights in check! The negs are perfect for scanning or traditional darkroom printing, I only use tri-x or hp5 and I use them in all formats from 35mm up to 4×5 (and once 8×10!) and because I keep the film, iso and developer consistent I can throw almost any light or contrast situation at it and come away with something worth printing or scanning! I’m kind of dumb and hyper so its important to have atleast a few things constant. Hope this helps and thanks for the kind words!
Eddy Pula

Fast Eddy’s Silver Sale On Old Cotton Rag

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Hello Everybody, I’m here to kick off the first ever EDDY PULA INTERNET PICTURE TAG SALE. Now remember that I’ve never done this before, so please treat me with kid gloves, and handle the prints with archival cotton gloves (naw once I get the money I don’t care what you do with them, sure is expensive toilet paper though) I stole the Idea from Michael Johnston over at The Online Photographer, his pragmatic Midwestern democratic way of getting art to the people inspired this, so Thanks Mike! Why does art have to be only in dusty museums? Why does art only have to be in ugly vainglorious McMansions? I don’t think the status quo is really the best way to disseminate pictures or ideas so instead of complaining I decided to do something about it! Also I’m broke and out of film so there’s that reason to!

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Each picture is hand printed in my darkroom (except for the finale, but we can all just wait for that) A-F are 8×10 rc prints from 35mm negatives I have shot in the past 6 weeks, those are all priced at $20, and are an open edition (but so what, grow up or shut up, its only 20 bucks, what do you need a certificate of authenticity too) but as of now, and probably forever, each print is an kinda closed edition of 3 with 1 for me!

H-Lambda (yeah I got kinda carried away and ran out of alphabet, so I switched to pig latin) are all 11×14 fiber prints from either 2 1/4 square negatives or 4×5 and are priced @ 50 bucks and there is about 5 copies of each. I sold a couple at a show last October and some got destroyed at the closing ceremonies of the famed Other Side Cafe, did you know that Nan Goldin used to show the ballad of sexual dependency there? She went to the Museum School and its only like half a mile from it but anyways I digress. If you are curios I will write a little info on the back along with my signature, like where and when the picture was taken.

Finally prints X and Z are freaking huge inkjets made with epson paper and ink, I don’t even know how big they are… wait a second for whatever reason they are 24×31 inches big and were overseen by my teacher Matt Connors, he told me I wouldn’t be allowed to take any more pictures or be let back into class till I did justice to these two and he basically taught me the proper way to photoshop and the right songs to sing to the giant epson printer so it wouldn’t screw up your pictures (they like ‘row row row your boat gently down the print, merrily merrily merrily life is but zone IV and sepia tint’) They only hung once, for a finale critique and they were well received by the likes of Frank Gohlke, Nick Nixon and Abe Morrell, so if its good enough for them… One problem is they were so heavy I had to drive push pins right through the corners, but a matte job or even cheaper, nice paper cutter will fix that and give you the slightly more even 24×30 prints, so fashionable in the salons of Paris! Other than that they are perfect! There has to be at least 200 dollars worth of ink in them so how about $200 a piece!

Each print will be shipped in a cardboard sleeve, with a mystery gift inserted, what will it be, 4×5 contact prints, some random negative, thing I find on floor? Send me your money and we’ll find out together, but just to show you the idea, here is a picture of the highlighted script I wrote for my first lecture, it was for Irina Rozovsky’s sophomore seminar at the Art Institute of Boston, I left it at home and had to make it up on the spot but they didn’t call security so I think it went well. That kind of priceless eddy memorabilia is what we are giving away today with every order, now where are you gonna find another deal like that?

Ok so here is how we are gonna do it, you pick your prize by leaving a comment on the bottom of the blog, tell me your name and which letter of the alphabet soup picture you want, that will be your claim and it’ll be in public so there won’t be any funny business, then email me at eddypula@gmail.com with your address and I’ll calculate shipping (dude I’m working with a big deal importer exporter, he even has a label maker and scale and everything!) which will be extra, but we’ll keep it as cheap as we can, even international shipping, cause this dude get and ships all over the globe! It looks like lower 48 states will cost $6 and I’m sorry but International shipping will be $20, but I’ll make it up to you foreigners with extra mystery prizes! Then you paypal me eddybula@gmail.com (weird I know but Bula is the only guy I can trust with all the monies) and I’ll sign it and make it out to your girlfriend or spinster aunt or whomever and throw in your mystery prize and its out the door with the next UPS shipment! The prints are already made so all I need is new collectors for my old and new pictures! Come on folks, pick a picture any picture, there’s a winner born every minute but you gotta be in it to win it, am I right?

The World is a Wondrous Place (if you get permission)

So I had an awesome Tuesday. I have a friend of a friend who works at the Mead Art museum and owns a boa constrictor. My befuddled brain put two and two together and came up with an idea for a picture of her with her snake in front of an oil painting. First problem, the Mead doesn’t allow any photography, old Eddy would have let that stop him, but Tuesdays Eddy had some other tricks up his sleeve. I went into several galleries in the area and said “Hello, I got a strange question to ask you, would you mind if I brought in a snake and started to infringe on various copy-written art works?” The reactions ranged from laughing me out the door, to outright snake phobia. The head librarian at the Amherst Library (they have a gallery and a huge oil painting of our town founder Lord Jeff) hissed through a forced smile, that the snake in question would probably constrict and eat all the children who came in for story time.

I kept at it anyways, and the Michelson Gallery in Northampton (the same gallery who represents Leonard Nimoy, that’s right SPOCK) thought it over and decided that they’d let me do it next week for 40 bucks. Hell Yeah!

I went back to my truck to get some more film when I spotted this guy in front of Lucky’s tattoo shop. I took a couple pictures and I said “Thanks man, but what I really want to do is take a picture of somebody getting inked” to which he replied “Come on in, I’m in the middle of tattooing this dude right now” Fuck YEAH! I thought and with that win to my name I decided to double down.

I’ve been shooting portraits of drunk people smoking cigarettes outside bars for a while now, the next logical step is to get inside a bar, the drinkers natural habitat.

So I hit up a couple bars and after several no’s, David the owner of Hugo’s (also in Noho) said “Sure what the hell.” So I’m gonna shoot there this Saturday, come on down to get your portrait made, you can buy me a drink as payment.

People and Dogs Get Along II: Rise of the Lycans

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You know what I love about photography? Being nosy. Having a camera is a license to bother people and learn things. For example the other day I went down to the UMass Animal Research and Education complex and loitered. I’ve learned some things in my day, a good way to get attention is to trespass. When I was doing interviews for the 2010 Census and people wouldn’t come to the door I’d go looking around the backyard and poke around their sheds. Sooner rather than later, the owner would accost me and I had my man. So sure enough while I was cursing donkeys and getting zapped by the electric fence, I was found out by some students in the animal husbandry school. I complemented them on their baby donkey (dude they are unbelievably cute) and they invited me to photograph them make their adorable fuzzy rounds. I saw giant pigs, tiny goats, and learned about how protective llamas are of other species. Here are some pictures of different animals I’ve met.

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Also on a technical side note all my cameras are broken, so Samuel Quinn was kind enough to lend me his Mamiya c330, which is a beast of a camera, but pretty damn good. It has a wide angle (55mm) lens which is both exciting and frustrating. Do you remember me talking about getting closer to my subjects from ‘These Kids Today’, well now I have to get twice as close and the distortion bothers me sometimes. Its ok, its something I can learn to deal with until I have some money to fix the Rolleiflex, but I know some of these pictures would be better with a normal lens. Que Sera Sera, right?